Canon EOS M Verdict and Video Review

Big things come in small packages. Consider the new mirrorless Canon EOS M as a Rebel in a Powershot body and you have yourself a wolf in sheep's clothing. Underneath the hood of Canon's first entry in the mirrorless digital camera market is an 18 megapixel APS-C sensor with DIGIC V processor like its bigger Canon EOS Rebel T4i/650D brother.



For a retail price of $800, the Canon EOS M with EF-M 22mm f/2 STM kit lens does not come cheap when compared to other mirrorless brands like Sony, Panasonic and Nikon. The high price pays for the large APS-C sized sensor like in the Canon EOS Rebel T4i and the rest of the Canon cropped sensor lineup such as the Canon 7D. The Canon EOS M is a big sensor in a compact form factor with a new interchangeable EF-M lens mount.



The Canon EOS M shares many features of the similar priced Canon EOS Rebel T4i/650D except an actual SLR view finder, a swivel screen and a pop up flash. The differences stop there. The Hybrid AF system with continuous auto focus during video recording comes to the Canon EOS M. The AF Servo works in conjunction with STM (stepper motor) lenses for smoother lens movement in photo or video mode.



The touchscreen feature comes back to the Canon EOS M with open arms. I am not a big fan of limited tactile controls but the Canon EOS M combines real buttons with an intuitive touchscreen. The limited landscape at the rear LCD forces you to use the touchscreen at times. The on demand buttons of ISO and white balance of the Canon EOS Rebel T4i/650D are gone and replaced by a press of the "Q" menu button for the touch interface. Old school button pushers rejoice, the multifunction controller remains intact for the meantime.



With big APS-C sensors come dreamy bokeh and fantastic image quality. The included EF-M 22mm f/2 STM kit lens is fast and sharp with bursting color rendition. Now for the bad news...the autofocus is slow like turtle slow! Gone are the fast and accurate 9 AF points of the Canon EOS Rebel T4i/650D with a real DSLR viewfinder. The Canon EOS M is a point and shoot camera with a point and shoot AF system. The Canon EOS M takes a good one second to lock focus on a sunny day. Poor lighting conditions give way to the external focus assist light to help out if needed. Sports photographers (aka soccer moms) in need of AI Servo for fast action shots will be disappointed.



Long time Canon photographers can use their extensive EF and EF-S glass with the Canon EOS M with the optional Canon lens mount adapter. The optical possibilities are unleashed like my Canon EF 85mm f/1.2L prime lens paired with the Canon EOS M above. Do not hold your breath when it comes to AF speed. The point and shoot AF speed of the Canon EOS M is the same with mount adapter and EF glass. Bummer!



Aspiring photographers do not be afraid of all the technical jargon. The Canon EOS M has entry level Scene Intelligent Auto and Basic Zone modes with the addition of Creative Filters for beginners just like the Canon EOS Rebel T4i/650D. There is an even a fool proof Face Detect AF mode for people photos. A bad picture is not in the Canon EOS M vocabulary.



A clean ISO 3200 will make you smile and freeze your manually focused indoor sport action shots. Just like the Canon EOS Rebel T4i/650D, ISO all the way up to 3200 is for everyday use with no problem. ISO 6400 is grainy but can be cleaned up in RAW post processing. Anything higher like ISO 12800 is a crime against nature on many levels.



Just like the Canon EOS Rebel T4i/650D, the Canon EOS M video quality is outstanding in all video resolutions such as the 1080p video shot at 29.97fps shown above. Just like the Canon 5D Mark III and T4i/650D, the Canon EOS M has an extended video recording capability up to 29 minutes and 29 seconds without the FAT32 memory card limitation. Do not expect to record hours of footage with the LP-E12 battery. With no viewfinder, the LCD Live View along with any image stabilized lens drains the battery very quickly. Buy spares!



The Canon EOS M in video mode has full manual control over exposure and audio levels for ultimate creativity. The Canon EOS M has integrated stereo microphones and a mono microphone input port on the side that allows external audio devices to be connected for audio capture. DSLR filmmakers can now have a primary or secondary discreet camera for multiple camera shoots.



The continuous AF during video recording from the Canon EOS Rebel T4i/650D makes it over to the new Canon EOS M with all its disappointment. As you can recall, the Hybrid AF system allows objects or people to be continuously tracked in focus during video recording. With Canon's new EF-M STM or stepper motor lenses, the Hybrid AF system allows smoother lens focusing when compared to USM and non USM EF lenses. Everything sounds good on paper but ultimately an epic fail in execution. Just watch the video below and judge for yourself...



My Hybrid AF conclusion is the same for the Canon EOS M and the Canon EOS Rebel T4i/650D. I give it a big thumbs down. Canon needs to do its homework on AF Servo technology because it simply does not work well at all! My old school policy of good camera work is manual focus, manual exposure, manual audio and lots of practice.



For all those Final Cut Pro 6 and 7 fans out there, I have an Apple NLE treat! Just like the modified .plist of the Canon E-1 Movie plugin of the Canon Rebel T4i/650D, I hacked the .plist again for the new Canon EOS M. With this .plist modification, you can automatically log and transfer your Canon EOS M .mov files to AppleProRes422 instead of manually transcoding. Just read the above .plist and follow my links in my last Canon EOS Rebel T4i/650D Video Test for detailed instructions.



The force was strong this weekend, just like my Canon EOS M verdict. I was at the premiere of LEGO Star Wars Miniland at LEGOLAND Florida snapping away LEGO pics with my Canon EOS M around my neck. My Canon EOS M conclusion? The image quality out of this Rebel in a Powershot body with interchangeable lenses is outstanding. I always wanted a Canon Powershot G1X with a DSLR sized sensor. Now my mirrorless dreams have come true. Of course, any good dream has to end and the disappointing Hybrid AF is definitely from the dark side of the force.



Nothing says cool like a hot pink trike and glitter shoes! The new Canon EOS M is the perfect compact travel companion with the flexibility of interchangeable lenses and the ease of use of a Canon EOS Rebel T4i/650D. Despite the slow point and shoot AF for pictures and disappointing AF servo during video recording, the Canon EOS M shines as a portable powerhouse with DSLR image quality.



You can view more eye candy photos and videos in my Canon EOS M Verdict and Video Review Gallery. I have more videos, ISO comparisons and images shot with a variety of EF/EF-S lenses from the Canon EOS M mirrorless digital camera.



Hit the streets of NYC like at Times Square at night with the Canon EOS M paired with the Rokinon 8mm T3.8 Fisheye Cine lens. The small form factor combined with the full array of Canon EF glass with EF-M lens adapter make a fabulous duo.



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Canon EOS M Video Test

The new Canon EOS M maybe a day late and a dollar short in the competitive mirrorless camera market. Panasonic, Sony and Leica, to name a few, have dominated the compact, no real viewfinder and interchangeable lens market for hungry consumers for the past several shopping seasons. What does the Canon EOS M have to offer this late in the game? For a retail price of $800, the 18 megapixel Canon EOS M features a very large APS-C sensor with DIGIC V processor, like in the Canon EOS Rebel T4i/650D. With a large CMOS sensor in a compact form factor comes a new interchangeable EF-M lens system as well. The EF-M 22mm f/2 STM lens is the standard kit lens with the Canon EOS M. As a 35mm focal length equivalent on a crop sensor, the new EF-M lens is fast and quick due to the f/2 aperture and stepper motor. Be patient, I will have more ISO and still image quality tests in my upcoming Canon EOS M Verdict and Video Review. Enough with the basics! The Canon EOS M features full manual exposure and audio control for Full HD 1080p glorious video. The full manual control is partly touchscreen because of the smaller landscape of the mirrorless form factor but that gimmicky feature looks bad only on paper. For such a compact camera, the touchscreen is quite useful and handy at times. For audio inputs, the Canon EOS M has built in stereo microphones and a mic jack for an external microphone. Now for my actual Canon EOS M Video Test... Now for the video good stuff! The video quality is impressive, especially with the new EF-M 22mm f/2 STM lens. The color, sharpness and that dreamy "bokeh" in the video footage makes this a formidable contender in the mirrorless market. You basically get Canon Rebel T4i/650D video quality in half the size. The full manual control for exposure and audio is a bonus for the budget filmmaker. There will be soon a EF-M to EF lens mount adapter for the Canon EOS M so I can mount all my "L" glass like the big boys. Just like the T4i/650D and 5D Mark III, the Canon EOS M has total video capture time of 29 minute and 59 seconds. My kid's Christmas Recital can last longer than 12 minutes. Hooray...I think? Now for my initial bad stuff! I am a big fan of manual focus during video capture. My experienced eyes and precise fingers can roll that lens barrel with precision better than most machines. The focus throw on the new Canon EF-M 22mm f/2 STM lens is average but very smooth to focus manually. The only problem is the EF-M lenses need power for AF and MF. Since there is no external AF/MF switch on EF-M lenses, you have to go into the menu to select the focus option. Not very user friendly when you are switching back and forth from still pictures with AF and shooting movies with manual focus. The other pink elephant in the room is the infamous Hybrid AF Servo during video capture. Just like the Canon Rebel T4i/650D, the continuous AF during video recording was a big disappointment. My Canon EOS M Hybrid AF Video Test is coming soon to give you more details. Patience! For all those Apple Final Cut Pro fanboys! Just like the modified .plist of the Canon E-1 Movie plugin of the Canon Rebel T4i/650D, I hacked the .plist again for the new Canon EOS M. With this .plist modification, you can automatically log and transfer your Canon EOS M .mov files to AppleProRes422 instead of manually transcoding. Just read the above .plist and follow my links in my last Canon EOS Rebel T4i/650D Video Test for detailed instructions. The Canon EOS M is a mighty new contender in the mirrorless market. My dream Powershot G1X and the new Powershot G15 did not feature full manual exposure and audio control to my disappointment. I think the Canon marketing department has something up their sleeves for the moment. Now, if they only lower the Canon EOS M price point like the other mirrorless brands... Stay updated for my full Canon EOS M Verdict and Video Review by Becoming a Fan on my Facebook Fan Page and following me on Twitter!

***Major Update***

My Canon EOS M Verdict and Video Review is complete and posted with a full gallery of more pictures and videos like this Rokinon 8mm T3.8 Fisheye Cine version lens. Click here.

A Labor of Love

A few words spoken rewards the thankless without expectation. The diaper changes, the sibling rivalry and the constant attention to every wanton need wanes with a simple baby babble of "Hi, DaDa!". In this family, Labor Day celebrates achievement in milestones.



The hours of preparation by my beloved wife honors the memory of marinated Pinchos of Puerto Rico. Sliced pork seasoned and skewered like Filipino kabobs over flame pleasures the palate and numbs parental headaches of child upbringing. Sounds like good medicine to me!



Growing up is hard to do these days. Academic expectations are higher and more demanding from school and parents. Homework, tests, projects and more homework can seem overwhelming to little minds with big hearts. Madeline and Jude, keep up the good school work and it will all make sense when you are adults.



Parental patience burns faster than marshmallows roasted over an open flame without adult supervision. Add a little Hershey's chocolate sandwiched between two crispy graham crackers, you have yourself a potentially sweet s'mores meltdown. Can somebody please pass "some more" virtue?



Labor Day symbolizes the end of summer but not in this household. Family trips to the beach for sunset strolls and sandy swim sessions last until the cooler weather arrives for two more months. Two very very long months of more Florida heat and humidity...



Almost 18 months old and counting for my baby daughter Serena this Labor Day Weekend. Your spoken words are growing and adorable to parental ears. The bursting charm and cuteness are as big as your never ending appetite for cheeseburgers in paradise.



You can view more corn cobs and pics in my Labor Day Weekend 2012 Gallery shot with the Canon EOS Rebel T4i/650D paired with the Canon EF-S 17-55mm f/2.8 IS lens.



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Happy 10th Birthday Madeline !

Double digits are in your future now. 10 years old, 10 candles, 10 fingers, 10 toes and 10 generations of Apple iPhones fill your ever growing mind of everything pink. Happy 10th Birthday Madeline!



The final countdown has begun to your teenage years. Once shy and unsure, you are now open and confident. Parental grip is tightening to the point of asphyxiation but at this point we maybe getting ahead of ourselves. With the proper guidance and your favorite Japanese Hibachi Steakhouse, the path to adulthood just got easier.



A family tree has many branches. Your siblings and cousins look up to the eldest wise-woman for knowledge and the latest Carly Rae Jepsen pop song lyrics.



I have to admit my Canon fault. My first born was digitally photographed with a Sony Cyber-shot DSC F707. Although, I was shooting film with a 35mm Canon EOS 3 before my jump to digital, I quickly realized my true calling with a Canon EOS 10D. Maybe "10" is truly a magical number.



An ice skating birthday party plus the latest Canon Rebel T4i/650D equals another video test to capture the special moments. With ice comes snow to low light ice rinks with disco lights. Snow meaning ISO 6400 video noise in less than ideal lighting conditions. What choice do I have?



With every birthday comes cake and a lurking hungry younger brother with fork in hand to steal your glory. No worries, your smothering sibling has a younger sister to eat his cake very soon. It seems a decade is certainly not long enough...



Meet my youngest and future menace to my son along with more "Ice-capades" in Madeline's 10th Birthday Gallery shot with the Canon EOS Rebel T4i/650D.



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Canon Rebel T4i and EF 40mm f/2.8 STM Video: Monarch Menagerie

There is nothing better than a captive audience for my next Canon Rebel T4i/650D and EF 40mm f/2.8 STM pancake lens video. The beautiful Monarch butterflies located at the BioWorks Butterfly Garden at MOSI gave me great opportunity to review the macro capabilities of the "shorty forty".



A 1080p video shot with the Canon Rebel T4i/650D paired with the Canon EF 40mm f/2.8 STM pancake lens at 29.97fps. Edited with Final Cut Pro 6.0.6 and used a modified Canon E-1 Movie Plugin to transcode AppleProRes422. I also used the Canon EF 100mm f/2.8L IS lens for extreme macro closeups in the video. For support, I used the Benro 3580 tripod legs with a Manfrotto 701 HDV video head. For audio capture, I used a Senneheiser MKE400 shotgun microphone. To control incoming light to maintain the proper aperture, shutter and ISO, I used a FADER ND Mark II Variable ND filter.



The macro capability of the Canon EF 40mm f/2.8 STM pancake lens has a practical closeup range of 11.76 inches. Although, the "shorty forty" is not capable of capturing the 17,000 eyeballs of the Monarch butterfly, the 11.76 inch minimum focusing distance is good enough for me. The almost one foot gap between lens and subject prevents those unsightly shadows of oneself in the image as well as scaring off the tiny critters. Sometimes close is too close for a change...



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Canon Rebel T4i and EF 40mm F/2.8 STM Video Test

Beach days are back again along with more Canon Rebel T4i/650D and EF 40mm f/2.8 STM pancake lens video tests. My kids and their cousins hit the ground running at Clearwater Beach, Florida with open arms despite the heat and high humidity.



A 1080p video shot with the Canon EOS Rebel T4i/650D paired with the Canon EF 40mm f/2.8 STM pancake lens at 29.97fps. Edited with Final Cut Pro 6.0.6 with the Canon E-1 Movie plugin to transcode to AppleProRes422. I used Compressor to export my timeline for a 800mb h264 video file. For audio capture, I used a Senneheiser MKE400 shotgun microphone. For support, I used Benro 3580 tripod legs with a Manfrotto 701 HDV video head. To control the incoming exposure in direct sunlight, I used a FADER HD variable ND filter on the "shorty forty" lens.



The Canon EF 40mm f/2.8 STM pancake lens is an affordable, portable and super sharp lens that gives great color and contrast. A great value is an understatement describing this lens for still and video purposes. The "shorty forty' is a must have for your camera bag.



Just like I mentioned in my full Canon Rebel T4i/650D Verdict and Video Review, I found the lack of AF Quick in video mode rather disappointing along with other big features. The AF Flexizone Single Point in the T4i is no replacement for the faster AF Quick mode of the previous T3i.



The AF Flexizone Single Point uses an enhanced contrast detect sensor in the CMOS chip to maintain focus automatically or on demand. It is simply not fast enough for my taste, but fortunately it is just as accurate as AF Quick of the T3i. Shooting in the direct sunlight of the beach was a great test of the AF of the T4i. Rejoice!



Just like my kids and their cousins, the Canon Rebel T4i and the EF 40mm f/2.8 STM lens make a great pair together. The "shorty forty" on the T4i's crop sensor give a focal equivalent of 64mm. A perfect focal length for portraits with dreamy out of focus background. A match made in heaven!



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Canon Rebel T4i on the 4th of July

How can you celebrate Independence Day without fireworks and a catchy blog post title? The Canon Rebel T4i on the 4th of July kicked off a pyrotechnics display with a high ISO video test. I was so busy capturing the bombs bursting in air in 1080p video, I only have 2 megapixel video screen grabs of the July fourth explosions. No worries, the glorious Full HD video will suffice!



Armed with a plethora of enormous firework cakes, I cranked my Canon Rebel T4i/650D wide open and the ISO to an amazing 3200 to capture this 1080p video shot at 29.97fps. I paired my T4i/650D with an EF-S 17-55mm f/2.8 IS lens and captured audio with a Senneheiser MKE400 shotgun microphone. For editing, I used Final Cut Pro 6.0.6 with the Canon E-1 Movie Plugin to transcode to AppleProRes422. Finally, for support I used Benro 3580 tripod legs with a Manfrotto 701 HDV video head.



This is my kind of bakery! Explosive cakes piled high to the amazement of children and crying babies. Consider it a Filipino obsession with ornate gunpowder displays for grown adults as well.



Cousin chaos returns for America's Independence Day! Family is more powerful than gunpowder bursting in air, except for my baby daughter's loaded diaper of mass destruction.



ISO 3200 is the limit for Canon T4i video capture. I expected noise and grain at this level for a proper exposure for extreme dark followed by flash bang moments. Shooting wide open at f/2.8 challenged the venerable T4i CMOS sensor for light gathering. Of course the more expensive Canon 5D Mark III and the 1D Mark IV is at least two ISO stops cleaner but the T4i is over three times less expensive. Not too shabby for entry level!



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