Consider it the Canon HD DSLR "Space Race" to the moon. Not your average full moon lunar cycle but the largest full moon in 18 years. Touted as the "Supermoon", I was determined to zoom in close to surface with my trusty Canon EOS Rebel T3i/600D.
The Lunar Deities would have been proud of my DSLR video accomplishment. I utilized the new 3x to 10x Digital Zoom feature of the Canon EOS Rebel T3i. Imagine a digital zoom of 1400mm to a whopping 4800mm focal length equivalent to get a real close look at the Apollo Landing sites. So if I pair a 1.6x crop factor Canon Rebel T3i/600D to a Canon EF 300mm f/4L IS lens and then multiply that focal length with the 3x to 10x digital zoom, you get an amazing Full HD 1080p video resolution of the Supermoon.
A more down to earth approach using the 3x to 10x digital zoom feature of the Rebel T3i/600D borders the surface of our own planet. This extra reach of the digital zoom provides a practical solution to the "out of this world" prices for premium Canon "L" glass super zooms. The Supermoon test above is a 1080p video shot at 29.97fps. Edited with the new iMovie'11 and used Quicktime at best quality to get a 250mb h264 video file.
Armed with the Canon Rebel T3i, the Soriano tribe descended upon Super Target to hunt and gather edible subsistence. As the pseudo-dominant male of the family, basic essentials such as fragrant baby shampoo and baby back seat mirrors filled the fire red shopping cart.
I train my young at an early age to listen closely for announced overhead bargains and have a sharp nose to smell refreshing baby body wash. With provisions gathered by my newborn's siblings, the real hunt for big game begins with a turn of my nomadic mini-van key.
With precise focus, I point my Canon EOS Rebel T3i/600D towards my prey. As soon I hear the AF confirmation beep, I pull the trigger and my 22 ounce Rib Eye goes down one juicy bite at a time.
Of course, you cannot end the carnivorous meal without a sweet ceremonial finish. We track the "pitter patter of little feet" towards the local Carvel Ice Cream store. The weekday special of buy one get one free Banana Barges rewards our glorious hunt for the day.
We just celebrated Serena's 1 week old birthday with a Carvel Ice Cream cake topped off with sparklers. Who said one birthday a year was a steadfast rule?
This "Rebel-lion" was entirely shot with the new Canon EOS Rebel T3i/600D paired with the Canon EF-S 17-55mm f/2.8 IS lens.
Routine is never routine. Any planning, organizing and reading cannot mentally prepare you for the unexpected. Meet my new addition to my family, Serena Soriano. Scheduled as a routine natural delivery like the two previous siblings before her, minor complications preceded mother nature and my wife was quickly whisked away to the operating room for an unscheduled C-section.
Caesarean sections are performed on a daily basis in hospitals across the world. My world was visibly shaken because this was my wife's very first major surgery in her entire life. Overwhelming concern for my wife and undelivered daughter filled my mind. I have been previously planning for months a well orchestrated and produced child birth video of our third child. My hands were trembling from worry but I managed to preserve the glorious moment.
At a healthy 8 pounds and 3 ounces, Serena emerged to a welcoming family and a Canon EOS Rebel T3i in the operating room. My oldest daughter finally has a younger sister to nurture and guide to everything Apple and Justin Bieber. My once youngest son and now middle child is outnumbered and has no comment on the matter.
Forgive me Father for I have sinned, it has been a long five years since my last child birth experience. 4 hour feedings, burping, diaper changing and the dreaded infant car seat installation quickly comeback as a harsh reality. A happy harsh reality.
The "boss" is slowly but surely recovering. I could not wait for my wife's heavy narcotics from surgery to wane because she can finally hold her newborn child in her arms. Anticipation of her baby daughter's touch pulled her through the worst of times. I am personally looking forward to the good times.
Welcome to the "Modern Family". iPad, iPhone 4, WiFi, HD DSLR's, 1080p video and Facebook connected child birth announcements invaded the maternity ward of the hospital, as if we never left home.
With the "all clear" from Pediatrician and Obstetrician, child in mother's embrace head home for some well needed rest in comfortable serenity.
I captured the entire journey with the Canon EOS Rebel T3i paired with the Canon EF-S 17-55mm f/2.8 IS lens. With the small, lightweight and versatile T3i/600D around my neck, I easily documented my newborn daughter into this world. I could not think of a more practical and realistic test of a digital photographic tool than real life. The T3i/600D exceeded my expectations in versatility and image quality just like my previous Canon EOS Rebel T3i Verdict and Video Review.
The new Canon EOS Rebel T3i is not a wolf in sheep's clothing waiting to pounce on unsuspecting consumers in the competitive entry level DSLR market. Like fine wine and its predecessor, the Canon EOS Rebel T2i, gets better with time. The time of exactly one year to the day of delivery of the Canon EOS Rebel T3i/600D to ChadSorianoPhotoBlog.
The 18 megapixel crop CMOS sensored Canon Rebel T3i is not just a Canon Rebel T2i with an articulating screen. It has big features in a small package. The most obvious one is the vari-angle high resolution LCD just like the Canon EOS 60D. The T3i has built in wireless flash control for Canon Speedlites just like the Canon EOS 60D. The T3i has manual audio control for video capture like the Canon EOS 60D. See a familiar pattern? Consider the T3i as a baby 60D. Wait a minute, the T3i replaces the T2i in the Rebel series. Let us finally move on to the T2i now.
My ChadSorianoPhotoBlog is not a Canon wikipedia, so I will only go over the major differences between the T3i and the T2i. The first thing you will notice is the slight change in ergonomics. The T3i has a slightly bigger grip with more non slip rubber areas on the surface of the body along with a taller stance and a bit more depth. All these minute changes were to accommodate the swivel screen. The button layout are well placed like the T2i despite the smaller 4 way controller. It just plain works.
The T3i is marketed to entry level DSLR consumers as well as more advanced prosumers. In other words, there is a lot of built in beginner oriented camera functions that make first time photographers at ease with making good pictures. Like the picture above, the new Creative Filters to the T3i give in camera manipulation of JPEG files effects. I found the "Toy Camera" effect as well as the "Miniature" effect quite convincing. There are plenty of "Scene Intelligent Auto" features otherwise known as fully automatic mode to fill pages of my PhotoBlog. I will now move on to the nitty gritty.
It is all in the details. Skin details. I mean where skin looks like skin and not some mushy digital reproduction of skin. Canon excels in this category. As seen in my Canon Rebel T2i Verdict and the Canon 60D Verdict, the tried and tested 18 megapixel CMOS sensor with DIGIC IV processor wins the skin detail and dynamic range contest hands down. Canon also carried over the same winning sensor as well as the reliable 9 point focusing system. It plain works,again.
The DIGIC IV processor enables the T3i a native ISO range of 100-6400 plus a digital expansion of 12,800. I can confidently say you can shoot at ISO 1600 all day with no problem. Very clean images. ISO 3200 is good but easily cleaned up in RAW processing. ISO 6400 is for freezing action in dark interiors like cathedrals and church halls, so expect gritty but useful images. ISO 12,800 is for pitch black emergencies. Let the snowfall begin! The picture above is shot at ISO 3200 with ambient light from the restaurant and was processed from RAW with Digital Photo Professional. That is the free software that comes with every Canon DSLR.
Now for the glorious HD video capabilities of the T3i. Just like the T2i, the T3i has 1080p, 720p and 480p video resolutions at various frame rates in both NTSC and PAL. All exposure controls for video and audio are fully manual. You can plug in a stereo microphone in the minijack for external audio capture as well. Full control like this are only found in the more expensive full frame HD DSLR like the Canon 5D Mark II. A particular video feature of interest that cannot be found in the T2i and the 60D is 3x to 10x digital zoom during 1080p video recording. The video above demonstrates the amazing resolution at 3x to 10x. Imagine a 400mm lens with a 1.6x crop factor at 10x digital zoom. That is a 6400mm equivalent focal length. You can video tape a NASA Space Shuttle launch 12 miles away or shoot a lunar eclipse with no problem.
The above T3i Video Test is shot at 1080p at 29.97fps. Edited with iMovie'09 and used Quicktime at best quality to compress the h264 video file. I also used an IGUS Drylin Camera Slider on Benro 3580 legs give the camera some lateral movement during the shots. If you are wary of non linear video editing, the T3i has a new "Video Snapshot Mode". You can shoot 2,4, or 8 second video clips and the camera will do "in camera video editing". The finished sequence is saved to camera's SDHC memory card as a single movie file.
The Verdict? There is nothing entry level about the Rebel T3i except its price. $899 for the kit and $799 for body only. It is so chock full of pro-oriented features that the Rebel T2i will be only a faded Canon memory. The line between novice and advanced photographic tools is grossly blurred. Say good bye to my Rebel T2i and say hello to my new digital friend, the Canon EOS Rebel T3i/600D.
Canon did it again just like Apple. The Canon EOS Rebel T2i impressed me and many other entry level DSLR newbies with outstanding image quality and Full HD video with full manual control performance in a small form factor. Now, exactly a year later, the Canon EOS Rebel T3i exceeds it's predecessor with even more features for the same price point. Sound familiar? Apple iPhone to Apple MacBookPro to Apple anything!
History repeats itself many times over. Just like the Canon technology turnover, I give to you my initial Canon EOS Rebel T3i Video Test in 1080p. I am working diligently on my full blown Canon EOS Rebel T3i review with ISO and image quality comparisons. So in the meantime, just like clockwork, I shot a video with the Canon EOS Rebel T3i and edited with iMovie'09 for you.
To the amazement of befuddled Canon Rebel T2i owners is the obvious addition of an articulating screen just like the Canon EOS 60D. It does not stop there with the similarities. Remote flash control of specific Canon TTL flashes and manual control of audio for video capture top off a very long list of features.
As you noticed in the Canon EOS Rebel T3i Video Test, I used an IGUS Drylin Camera Slider W1080-B to spice up the 1080p video shot at 29.97fps. The IGUS slider used a Manfrotto 701HDV head on top of Benro 3580 tripod legs. A Sennheiser MKE400 shotgun microphone captured my manually controlled audio and the T3i/600D was paired with the Canon EF 35mm f/1.4L and EF 100mm f/2.8L IS lenses. I edited with iMovie'09 and used Quicktime to compress a 550mb H264 video file.
Just like the T2i, the new Canon EOS Rebel T3i shares the same glorious 18mp CMOS crop sensor with a high native ISO range(100-6400) and Full HD and HD video resolution at frame rates of 24p,30p and 60p in both NTSC and PAL. I could go on but that is for my upcoming Canon EOS Rebel T3i Verdict and Review. As expected, the T3i captured video flawlessly with the added bonus of the vari-angle screen for high,low and reverse angle perspectives.
I captured the Canon EOS Rebel T3i in action for this video test with my Canon EOS 1D Mark IV. I used a Rode VideoMic for audio and used the Canon EF 35mm f/1.4L and EF 100mm f/2.8L IS lenses.
For all Final Cut Pro users out there, I just created a Canon E-1 Movie Plugin fix for T3i video. Do not be confused by all the complicated code in the above picture. It is the actual modified .plist file that Final Cut Pro uses for the Log and Capture feature. For all non Final Cut Pro users out there, the Canon E-1 Movie plugin automatically transcodes the h264 video files to a lossless editing codec called AppleProRes422. Confused? I was at first but if you dare to jump into the realm of Final Cut Pro, all this jargon will make sense to you. For exact instructions to implement this modified .plist file in your own Final Cut Pro software, go to the Discussion Forum on DVinfo.net. I explain with step by step instructions to install the .plist file in your computer.
It is no coincidence that today's delivery of the new Canon EOS Rebel T3i from my friends at North Tampa Photography marks the identical delivery date of the Canon EOS Rebel T2i a year ago on February 25th. A year makes a big difference. Introducing the top of the line Canon Rebel series HD DSLR, the T3i/600D. I quickly snapped some iPhone 4 pictures and captured some iPhone 4 video to quickly post to my waiting ChadSorianoPhotoBlog fans.
The most obvious feature to the top of the line Rebel is the articulation screen. At first exclusive to the Canon HD DSLR 60D, the very useful multi-angle LCD gives the small form factor Rebel a great feature.
In addition to the articulating Hi-Res LCD, the Canon EOS Rebel T3i has remote flash control like the 60D and the 7D. On top of that, you also get 1080p fully manual video capture and fully manual audio control. Unbelievable!
I edited the iPhone 4 video of the new Canon EOS Rebel T3i with Adobe Premiere Elements 9. I used Quicktime at best quality to compress a 160mb h264 video file. Stay updated by becoming a Fan on my Facebook page and following me on Twitter for the upcoming review of the new Canon EOS Rebel T3i on ChadSorianoPhotoBlog.
Just over a full year has passed since my shocking discovery at the Vancouver 2010 Winter Olympic Games. Canon gave out coffee mugs in the shape of a life size EF 70-200mm f/4L lens in special press kits for the attending news media. Actually, I saw a post of the coffee mug on Canon Rumors and thus began my envious pursuit.
Of course, Canon lens coffee mugs emerged on Ebay immediately from various sellers claiming Winter Olympic authenticity with prices ranging up to $100. Obviously, sticker shocked, I began over the course of a year scouring the internet for a faithful retailer to distribute the Chinese import in the United States for a reasonable price. Patience is truly a virtue! I happened upon a Canon lens coffee mug in the shape of the trusty EF 24-105mm f/4L IS lens from Fotodiox sold through Amazon. I know it is not the authentic EF 70-200mm f/4L Vancouver Winter Olympic Game's version, but beggars cannot be choosers!
So for under $20, you can be a proud owner of a Canon Lens coffee mug bought through a longstanding and very reliable retailer. There are some more expensive and even less expensive cups out there, but I thought $15 plus slow USPS shipping was reasonable for a metal lined coffee mug in the shape of the EF 24-105mm f/4L IS lens. The quick pictures above I snapped with my Apple iPhone 4 to display my new beverage treasure. Now I can enjoy my morning cup of caffeine in relative Canon lens bliss!
Chad Soriano brings more than 20 years of experience as a television news photojournalist and still camera photographer. Chad worked at Tampa’s Fox Television station, WTVT. His primary role there was in the special projects, consumer investigation unit. His assignments ranged from general news to consumer fraud. His skills in news gathering and camera-work combine to create a strong tool in developing and promoting a unique visual style.
