Canon has done it again! The announcement of the new Canon EOS Rebel T4i/650D DSLR with a 18mp APS-C sensor with DIGIC V+ processor gains new ground in the entry level DSLR market. The previous Canon Rebel T3i/600D was already impressive, but from all the added features of the new Canon Rebel T4i/650D makes this camera shine brighter. In a nutshell, consider this entry level DSLR a Canon 60D in a Rebel body, but with touchscreen LCD capabilities and a new Hybrid AF system for even smoother focus during video recording. On top of all that, you can add the Canon 60D 9 point AF system. As soon as the new 5 frames per second Canon EOS Rebel T4i/650D hits the store shelves, I will post my upcoming Canon Rebel T4i/650D Verdict and Video Review very soon.
Pancakes are not for breakfast anymore! The new Canon EF 40mm f/2.8 STM prime lens or pancake lens was also introduced as a compact travel lens for full frame and APS-C sensor DSLR's. A very thin and low profile standard prime lens featuring the new stepper motor technology to make focus even smoother during HD video capture with the new Canon Rebel T4i/650D DSLR. The budget filmmaker can rejoice because the retail price of this small gem is $199. Call it a "nifty forty"?
The ultimate entry level walk around lens is reinvented. The new Canon EF-S 18-135mm f/3.5-5.6 IS STM lens makes a fabulous pair with the new Canon Rebel T4i/650D DSLR. The new stepper motor technology combined with the T4i/650D's hybrid AF system makes it possible to focus smoothly during video recording. This sounds like a promising budget kit lens for soccer moms and amateur filmmakers.
The convergence of still photo DSLR's and video camcorders brought a game changing dynamic to the world of image making. The introduction of the Nikon D90 and the revolutionary Canon 5D Mark II in 2008 made affordable HD video capture with that "bokeh" film style. With any emerging technology there are drawbacks, especially with using still photography lenses for video. The Rokinon 35mm f/1.4 Aspherical Wide Angle Lens solves many of those problems at a great price.
At a street price of $500, the Rokinon 35mm f/1.4 Aspherical Wide Angle Lens is a filmmaker's dream. A fast lens with an aperture of f/1.4, a focal length equivalent of a standard 50mm lens on a crop sensor and a price that will not break the bank makes this fast prime lens great for HD video capture. The magic is in the design of the lens with controls for easy focus and aperture. The focus barrel is nice and wide with a long throw to slowly manipulate critical focus. This is a must when shooting at a fast f/1.4 aperture.
The optics give great color especially when compared to the "L" equivalent of the Canon EF 35mm f/1.4L lens. Superb color, contrast and sharpness describe this Korean made Rokinon 35mm f/1.4 lens under many brand names such as Samyang and Bower. I picked up my Rokinon 35mm f/1.4 Wide Angle Lens from my friends at North Tampa Photography. As a Rokinon lens dealer, they now carry the full line of Rokinon prime lenses.
Now for the drawbacks. Still photographers will be disappointed because of the lack of automatic focus. This above average in size prime lens comes fully manual out of the box. No focus confirmation light or chirp on this prime lens, you just have a sharp, fast and manual piece of glass catered to DSLR cinematography. I suggest the Canon EF 35mm f/2 for a street price of $330 for a fully automatic still photography lens.
The next drawback is the ratcheted aperture ring. It is not smooth like the focus control because it has clicks for every f-stop. Not ideal for a smooth change of exposure. I suggest using a variable neutral density filter such as the Fader ND Mark II Filter on the Rokinon 77mm sized filter thread to reduce the incoming light.
Strawberry fields forever as far as my Rokinon 35mm f/1.4 wide angle lens can see. The annual Florida Strawberry Festival in Plant City, Florida is the perfect backdrop for a video test of this fast prime lens. A 1080p video shot with the Canon Rebel T3i/600D paired with the Rokinon 35mm f/1.4 lens at 29.97fps. Edited with Apple Final Cut Pro 6.0.6 and transcoded to AppleProRes422 using the Canon E-1 Movie Plugin.
Strawberry season in Plant City, Florida was captured with the help of my affordable HD DSLR rig. For stability, I used the Manfrotto 701 HDV head paired with Benro 3580 tripod legs. For audio capture, I used the AZDEN ECZ-990 shotgun microphone. For critical focus, I used the Zacuto Z-Finder Pro 2.5x magnification with a Blue Star large chamois eyecup protector. For a reduction of incoming light, I also used a FADER ND Mark II filter.
The Rokinon 35mm f/1.4 wide angle lens review verdict? This fast affordable prime lens catered to HD DSLR cinematography has the color,contrast and sharpness comparable to Canon "L" glass. The lens ergonomics are worthy of Broadcast Television ENG cameras with a long focus throw for precise control. The Rokinon 35mm f/1.4 wide angle lens compatible with Canon full frame EF and crop EF-S mounts makes this prime lens an excellent value for any DSLR filmmaker. As sweet as Plant City, Florida strawberries, your cinematic heart will not be disappointed.
The stigma of SIGMA wanes with every photograph through this amazing prime lens dedicated to APS-C crop sensors. The SIGMA 30mm f/1.4 EX DC HSM lens satisfies the "fast aperture" and standard focal length crowd for APS-C DSLR's. As for the "stigma", SIGMA manufactures SLR camera lenses under the name of "Quantaray" which is sold by Ritz and Wolf Camera stores. I am not a big fan of Ritz Camera or the budget priced "Quantaray" in house brand they retail. With much doubt and skepticism, I picked up my SIGMA 30mm f/1.4 EX DC HSM from my friends at North Tampa Photography for a street price under $500 for a practical lens review.
"Practical" means real time use out in the world. My world consists of capturing the true to life moments of my family of five, which includes a 3 month old newborn. No complicated wavelength and focus charts here. I go out and shoot pictures. Lots of pictures and even video to be exact.
Paired with my compact Canon EOS Rebel T3i/600D, the SIGMA 30mm f/1.4 EX DC HSM has definitely the "L" pop in color, sharpness and contrast. The EX designation denotes a sturdy build, while the DC means digital crop. The HSM is an acronym for Hyper Sonic Motor for auto focus. The lens body feels sturdy and chunky but not heavy. Mated to the T3i/600D, this lightweight combination provides a "Rangefinder" camera like feel such as the new Fuji X100 or even the ultra expensive Leica M9.
The SIGMA 30mm f/1.4 EX DC HSM is categorized as a wide angle prime lens. On a crop camera, 30mm focal length has the focal equivalent of 48mm. It is more like a standard prime lens. Imagine a standard focal length with a fast f/1.4 aperture. A definite "bokeh" producing lens machine.
SIGMA has come a long way since Quantaray in my opinion. Their recent marketing push of their professional grade lenses has gotten much attention in the DSLR world. SIGMA quality control couple years ago has gotten some criticism such as grossly front and back focusing lenses coming out of the Japanese factory. This SIGMA 30mm f/1.4 lens gives me renewed faith, but wait! This cannot be the only choice for a budget priced and fast standard prime lens for crop sensor DSLR's ? Let me make a quick lens comparison just to be sure.
I chose two fast wide angle prime lenses priced under $600 to compare to the SIGMA 30mm f/1.4 EX DC HSM. Of course, when I mean wide angle on a crop camera I mean standard focal length close to 50mm. So the lowest priced in the group (street price around $300) and one of my favorites is the Canon EF 35mm f/2. The smallest and lightest also means slower focus due to the lack of any Ultra Sonic Motor AF system. 5mm of longer focal length means a 56mm crop equivalent. The last contender in this brief lens comparison is the Canon EF 28mm f/1.8 USM lens. Wider and faster than the EF 35mm f/2 but more expensive (street price around $530). The 28mm Canon gives almost a 45mm focal length equivalent on crop. I guess the added expense justifies the fast USM AF. The lens comparison verdict? Here are my observations.
Here is an excellent example above of the Canon EF 35mm f/2 in action. Great bokeh and the colors just pop for this value priced prime lens. Now for the bad part. No Ultra Sonic Motor auto focus means slow and gear grinding AF noises. Also, the optics are showing their 1990's age when ISO is pushed around 3200. Compared to my "L" lenses in the same ISO range, the resolution of the lens pushes it limits with high megapixel cameras such as the T3i. For the price, who can beat this quality? Well, the Canon EF 35mm f/2 lens is showing it's age but still is a favorite in my camera bag.
The widest of the group is the Canon EF 28mm f/1.8 and the most expensive. I was very disappointed with this USM lens. Although the picture above is really cute but there is no "L" pop like the other lens in the comparison. It looks flat like a kit lens. The AF is faster but that does not make up the horrible chromatic aberration in high contrast areas wide open at f/1.8. I even tried to correct the excessive purple fringing with Canon Digital Photo Professional for raw processing and correction, but no luck. Not a good choice for my camera bag, definitely.
All paths in the jungle lead to my SIGMA 30mm f/1.4 verdict. This lens is a complete dream for crop cameras. The fast aperture combined with the unique focal length makes great bokeh for still pictures and for video capture. The Hyper Sonic Motor is a close second in speed compared to the Ultra Sonic Motor of Canon's AF. The price makes the SIGMA a great value when you look at the features. SIGMA even includes a lens hood. What a deal!
Now for the SIGMA negatives. The wonderful SIGMA 30mm f/1.4 EX DC HSM is designed only for crop sensor cameras. It is the Canon EF-S equivalent for lens mounts. You can mount the SIGMA lens to a Canon 1D APS-H sensor but you will get slight vignetting. I solved that with a slight crop of the picture or the peripheral illumination correction in Adobe Lightroom. A little time consuming but manageable. Full frame cameras such as the 5D Mark II is definitely not an option with this lens.
The second negative maybe part user error and the extremely tight focal plane of f/1.4 when it comes to AF accuracy. I had my share of OOF shots at f/1.4. Although soft focus images are expected when shooting handheld, it seems a little more prevalent with the SIGMA in my unscientific opinion.
Now for the SIGMA 30mm f/1.4 EX DC HSM Video Test. Armed with various helpful DSLR cinematic tools, I captured some 1080p video with this dreamy lens. The 30mm focal length makes composition a snap complemented by the fast aperture to give great bokeh. F/1.4 is challenging when it comes to focusing the shot. Even with my trusty Zacuto Z-Finder Pro 2.5x viewfinder, achieving correct focus can test your eyesight and patience.
A 1080p video shot with the Canon EOS Rebel T3i/600D at 29.97fps. Edited with iMovie'11 and used Quicktime to compress a 700mb H264 video file. I mainly used the SIGMA 30mm f/1.4 EX DC HSM, Canon EF-S 17-55mm f.2.8 IS and the Canon EF 70-200mm f/4L IS Lenses. For audio, I used a Sennheiser MKE400 shotgun microphone. I also used a Manfrotto 701 HDV fluid video head with Benro 3580 tripod legs. For focus, I used a Zacuto Z-Finder Pro 2.5x viewfinder.
A 1080p video shot with the Canon EOS Rebel T3i/600D at 29.97 fps. Edited with Apple iMovie'11 and used Apple Quicktime to compress a 980mb H264 video file. Equipment used: Sennheiser MKE400 shotgun microphone, Benro 3580 and Manfrotto 3221wn tripod legs, Manfrotto 701 and 501 HDV fluid video heads, Fader ND Mark II Variable Neutral Density Filter and the Zacuto Z-Finder Pro 2.5x viewfinder.
The SIGMA 30mm f/1.4 EX DC HSM is a mighty contender in the budget priced wide angle fast prime category. The recent surge in Canon lens prices due to the recent tragic earthquake and Tsunami in Japan makes other third party brands a viable choice in today's DSLR lens market. Until supply of Canon glass outweighs worldwide consumer demand, the SIGMA brand will lead and shine as an overall best value for fast lenses.
Kindergarten days are soon over. Nap times and sing alongs will soon be replaced with addition and subtraction tables. My son turns 6 years old and celebrates with a new sibling this year. Despite the foreboding end to Kindergarten nirvana and the obvious gender imbalance in the household, my mini-clone still loves a good Whoopie Cushion prank.
The "Donut King" celebrated his birthday with his classmates and his older sister's class with 60 delicious glazed rings of pure sweetness. As you might have guessed, he was voted as "Most Popular" for the day.
Fond memories of my son 6 years ago relives with my newborn daughter, Serena. The diaper changing, mixing formula and sleepless nights make a comeback in the Soriano family. Seeing my children grow in front of my eyes makes it all worth it.
My son's birthday would not be complete without a trip to Cheesecake Factory. I passed on my usual Hibachi Steak and pursued the slow roasted Beef Ribs with Onion Rings. The Cheesecake Factory special Mac and Cheese made my son's 6th birthday complete.
I have been field testing the Sigma 30mm f/1.4 EX DC HSM lens the past couple weeks for my upcoming practical review. The Sigma is designed exclusively for crop sensor cameras like the Canon EOS Rebel T3i/600D.
The scourge of baby smiles and bed wetting are things of the past now. Call of Duty :Black Ops and SOCOM 4:U.S. Navy Seals fill my son's itinerary. Hope is not lost when it comes to nurturing baby time. Serena fills the void.
Chad Soriano brings more than 20 years of experience as a television news photojournalist and still camera photographer. Chad worked at Tampa’s Fox Television station, WTVT. His primary role there was in the special projects, consumer investigation unit. His assignments ranged from general news to consumer fraud. His skills in news gathering and camera-work combine to create a strong tool in developing and promoting a unique visual style.
